The Notebooks of Leonardo Da Vinci

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Page 50 of 1565.
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Definition of Perspective.

[Drawing is based upon perspective, which is nothing else than a
thorough knowledge of the function of the eye. And this function
simply consists in receiving in a pyramid the forms and colours of
all the objects placed before it. I say in a pyramid, because there
is no object so small that it will not be larger than the spot where
these pyramids are received into the eye. Therefore, if you extend
the lines from the edges of each body as they converge you will
bring them to a single point, and necessarily the said lines must
form a pyramid.]

[Perspective is nothing more than a rational demonstration applied
to the consideration of how objects in front of the eye transmit
their image to it, by means of a pyramid of lines. The _Pyramid_ is
the name I apply to the lines which, starting from the surface and
edges of each object, converge from a distance and meet in a single
point.]

[Perspective is a rational demonstration, by which we may
practically and clearly understand how objects transmit their own
image, by lines forming a Pyramid (centred) in the eye.]

Perspective is a rational demonstration by which experience confirms
that every object sends its image to the eye by a pyramid of lines;
and bodies of equal size will result in a pyramid of larger or
smaller size, according to the difference in their distance, one
from the other. By a pyramid of lines I mean those which start from
the surface and edges of bodies, and, converging from a distance
meet in a single point. A point is said to be that which [having no
dimensions] cannot be divided, and this point placed in the eye
receives all the points of the cone.

[Footnote: 50. 1-5. Compare with this the Proem. No. 21. The
paragraphs placed in brackets: lines 1-9, 10-14, and 17--20, are
evidently mere sketches and, as such, were cancelled by the writer;
but they serve as a commentary on the final paragraph, lines 22-29.]

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