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Of decorations.
White and sky-blue cloths, woven in checks to make a decoration.
Cloths with the threads drawn at _a b c d e f g h i k_, to go round
the decoration.
_XIX._
_Philosophical Maxims. Morals. Polemics and Speculations_.
_Vasari indulges in severe strictures on Leonardo's religious views.
He speaks, among other things, of his_ "capricci nel filosofar delle
cose naturali" _and says on this point:_ "Per il che fece nell'animo
un concetto si eretico che e' non si accostava a qualsi voglia
religione, stimando per avventura assai piu lo esser filosofo che
cristiano" _(see the first edition of_ 'Le Vite'_). But this
accusation on the part of a writer in the days of the Inquisition is
not a very serious one--and the less so, since, throughout the
manuscripts, we find nothing to support it._
_Under the heading of "Philosophical Maxims" I have collected all
the passages which can give us a clear comprehension of Leonardo's
ideas of the world at large. It is scarcely necessary to observe
that there is absolutely nothing in them to lead to the inference
that he was an atheist. His views of nature and its laws are no
doubt very unlike those of his contemporaries, and have a much
closer affinity to those which find general acceptance at the
present day. On the other hand, it is obvious from Leonardo's will
(see No._ 1566_) that, in the year before his death, he had
professed to adhere to the fundamental doctrines of the Roman
Catholic faith, and this evidently from his own personal desire and
impulse._
_The incredible and demonstrably fictitious legend of Leonardo's
death in the arms of Francis the First, is given, with others, by
Vasari and further embellished by this odious comment:_ "Mostrava
tuttavia quanto avea offeso Dio e gli uomini del mondo, non avendo
operato nell'arte come si conveniva." _This last accusation, it may
be remarked, is above all evidence of the superficial character of
the information which Vasari was in a position to give about
Leonardo. It seems to imply that Leonardo was disdainful of diligent
labour. With regard to the second, referring to Leonardo's morality
and dealings with his fellow men, Vasari himself nullifies it by
asserting the very contrary in several passages. A further
refutation may be found in the following sentence from the letter in
which Melsi, the young Milanese nobleman, announces the Master's
death to Leonardo's brothers:_ Credo siate certificati della morte
di Maestro Lionardo fratello vostro, e mio quanto optimo padre, per
la cui morte sarebbe impossibile che io potesse esprimere il dolore
che io ho preso; e in mentre che queste mia membra si sosterranno
insieme, io possedero una perpetua infelicita, e meritamente perche
sviscerato et ardentissimo amore mi portava giornalmente. E dolto ad
ognuno la perdita di tal uomo, quale non e piu in podesta della
natura, ecc.
_It is true that, in April_ 1476, _we find the names of Leonardo and
Verrocchio entered in the_ "Libro degli Uffiziali di notte e de'
Monasteri" _as breaking the laws; but we immediately after find the
note_ "Absoluti cum condizione ut retamburentur" (Tamburini _was the
name given to the warrant cases of the night police). The acquittal
therefore did not exclude the possibility of a repetition of the
charge. It was in fact repeated, two months later, and on this
occasion the Master and his pupil were again fully acquitted.
Verrocchio was at this time forty and Leonardo four-and-twenty. The
documents referring to this affair are in the State Archives of
Florence; they have been withheld from publication, but it seemed to
me desirable to give the reader this brief account of the leading
facts of the story, as the vague hints of it, which have recently
been made public, may have given to the incident an aspect which it
had not in reality, and which it does not deserve._
_The passages here classed under the head "Morals" reveal Leonardo
to us as a man whose life and conduct were unfailingly governed by
lofty principles and aims. He could scarcely have recorded his stern
reprobation and unmeasured contempt for men who do nothing useful
and strive only for riches, if his own life and ambitions had been
such as they have so often been misrepresented._
_At a period like that, when superstition still exercised unlimited
dominion over the minds not merely of the illiterate crowd, but of
the cultivated and learned classes, it was very natural that
Leonardo's views as to Alchemy, Ghosts, Magicians, and the like
should be met with stern reprobation whenever and wherever he may
have expressed them; this accounts for the argumentative tone of all
his utterances on such subjects which I have collected in
Subdivision III of this section. To these I have added some passages
which throw light on Leonardo's personal views on the Universe. They
are, without exception, characterised by a broad spirit of
naturalism of which the principles are more strictly applied in his
essays on Astronomy, and still more on Physical Geography._
_To avoid repetition, only such notes on Philosophy, Morals and
Polemics, have been included in this section as occur as independent
texts in the original MSS. Several moral reflections have already
been given in Vol. I, in section "Allegorical representations,
Mottoes and Emblems". Others will be found in the following section.
Nos._ 9 _to_ 12, _Vol. I, are also passages of an argumentative
character. It did not seem requisite to repeat here these and
similar passages, since their direct connection with the context is
far closer in places where they have appeared already, than it would
be here._
I.
PHILOSOPHICAL MAXIMS.
Prayers to God (1132. 1133).