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<title>The Notebooks of Leonardo Da Vinci</title>
<link>http://interconnected.org/home/more/davinci/</link>
<description>Day-by-day Da Vinci. Read the pages of the Notebooks by RSS, one at a time. This feed began on 19 June 2006.</description>

<item>
<title>Page 1112</title>
<link>http://interconnected.org/home/more/davinci/1112.html</link>
<description><![CDATA[<p>Men born in hot countries love the night because it refreshes them
<br>and have a horror of light because it burns them; and therefore they
<br>are of the colour of night, that is black. And in cold countries it
<br>is just the contrary.
<br>
<br>[Footnote: The sketch here inserted is in MS. H3 55b.]
<br>
<br>_XVIII._
<br>
<br>_Naval Warfare.--Mechanical Appliances.--Music._
<br>
<br>_Such theoretical questions, as have been laid before the reader in
<br>Sections XVI and XVII, though they were the chief subjects of
<br>Leonardo's studies of the sea, did not exclusively claim his
<br>attention. A few passages have been collected at the beginning of
<br>this section, which prove that he had turned his mind to the
<br>practical problems of navigation, and more especially of naval
<br>warfare. What we know for certain of his life gives us no data, it
<br>is true, as to when or where these matters came under his
<br>consideration; but the fact remains certain both from these notes in
<br>his manuscripts, and from the well known letter to Ludovico il Moro
<br>(No._ 1340_), in which he expressly states that he is as capable as
<br>any man, in this very department._
<br>
<br>_The numerous notes as to the laws and rationale of the flight of
<br>birds, are scattered through several note-books. An account of these
<br>is given in the Bibliography of the manuscripts at the end of this
<br>work. It seems probable that the idea which led him to these
<br>investigations was his desire to construct a flying or aerial
<br>machine for man. At the same time it must be admitted that the notes
<br>on the two subjects are quite unconnected in the manuscripts, and
<br>that those on the flight of birds are by far the most numerous and
<br>extensive. The two most important passages that treat of the
<br>construction of a flying machine are those already published as Tav.
<br>XVI, No._ 1 _and Tav. XVIII in the_ "Saggio delle opere di Leonardo
<br>da Vinci" _(Milan_ 1872_). The passages--Nos._ 1120-1125--_here
<br>printed for the first time and hitherto unknown--refer to the same
<br>subject and, with the exception of one already published in the
<br>Saggio-- No._ 1126--_they are, so far as I know, the only notes,
<br>among the numerous observations on the flight of birds, in which the
<br>phenomena are incidentally and expressly connected with the idea of
<br>a flying machine._
<br>
<br>_The notes on machines of war, the construction of fortifications,
<br>and similar matters which fall within the department of the
<br>Engineer, have not been included in this work, for the reasons given
<br>on page_ 26 _of this Vol. An exception has been made in favour of
<br>the passages Nos._ 1127 _and_ 1128, _because they have a more
<br>general interest, as bearing on the important question: whence the
<br>Master derived his knowledge of these matters. Though it would be
<br>rash to assert that Leonardo was the first to introduce the science
<br>of mining into Italy, it may be confidently said that he is one of
<br>the earliest writers who can be proved to have known and understood
<br>it; while, on the other hand, it is almost beyond doubt that in the
<br>East at that time, the whole science of besieging towns and mining
<br>in particular, was far more advanced than in Europe. This gives a
<br>peculiar value to the expressions used in No._ 1127.
<br>
<br>_I have been unable to find in the manuscripts any passage whatever
<br>which throws any light on Leonardo's great reputation as a musician.
<br>Nothing therein illustrates VASARPS well-known statement:_ Avvenne
<br>che morto Giovan Galeazze duca di Milano, e creato Lodovico Sforza
<br>nel grado medesimo anno 1494, fu condotto a Milano con gran
<br>riputazione Lionardo al duca, il quale molto si dilettava del suono
<br>della lira, perche sonasse; e Lionardo porto quello strumento
<br>ch'egli aveva di sua mano fabbricato d'argento gran parte, in forma
<br>d'un teschio di cavallo, cosa bizzarra e nuova, acciocche l'armonia
<br>fosse con maggior tuba e piu sonora di voce; laonde supero tutti i
<br>musici che quivi erano concorsi a sonare.
<br>
<br>_The only notes on musical matters are those given as Nos._ 1129
<br>_and_ 1130, _which explain certain arrangements in instruments._
<br>
<br>The ship's logs of Vitruvius, of Alberti and of Leonardo</p>]]></description>
</item>

<item>
<title>Page 1111</title>
<link>http://interconnected.org/home/more/davinci/1111.html</link>
<description><![CDATA[<p>Mounts Caucasus, Comedorum, and Paropemisidae are joined together
<br>between Bactria and India, and give birth to the river Oxus which
<br>takes its rise in these mountains and flows 500 miles towards the
<br>North and as many towards the West, and discharges its waters into
<br>the Caspian sea; and is accompanied by the Oxus, Dargados, Arthamis,
<br>Xariaspes, Dargamaim, Ocus and Margus, all very large rivers. From
<br>the opposite side towards the South rises the great river Indus
<br>which sends its waters for 600 miles Southwards and receives as
<br>tributaries in this course the rivers Xaradrus, Hyphasis, Vadris,
<br>Vandabal Bislaspus to the East, Suastes and Coe to the West, uniting
<br>with these rivers, and with their waters it flows 800 miles to the
<br>West; then, turning back by the Arbiti mountains makes an elbow and
<br>turns Southwards, where after a course of about 100 miles it finds
<br>the Indian Sea, in which it pours itself by seven branches. On the
<br>side of the same mountains rises the great Ganges, which river flows
<br>Southwards for 500 miles and to the Southwest a thousand ... and
<br>Sarabas, Diarnuna, Soas and Scilo, Condranunda are its tributaries.
<br>It flows into the Indian sea by many mouths.
<br>
<br>On the natives of hot countries.</p>]]></description>
</item>

<item>
<title>Page 1110</title>
<link>http://interconnected.org/home/more/davinci/1110.html</link>
<description><![CDATA[<p>If the river will turn to the rift farther on it will never return
<br>to its bed, as the Euphrates does, and this may do at Bologna the
<br>one who is disappointed for his rivers.
<br>
<br>Centrae Asia.</p>]]></description>
</item>

<item>
<title>Page 1109</title>
<link>http://interconnected.org/home/more/davinci/1109.html</link>
<description><![CDATA[<p>The bridge of Pera at Constantinople, 40 braccia wide, 70 braccia
<br>high above the water, 600 braccia long; that is 400 over the sea and
<br>200 on the land, thus making its own abutments.
<br>
<br>[Footnote: See Pl. CX No. 1. In 1453 by order of Sultan Mohamed II.
<br>the Golden Horn was crossed by a pontoon bridge laid on barrels (see
<br>Joh. Dukas' History of the Byzantine Empire XXXVIII p. 279). --The
<br>biographers of Michelangelo, Vasari as well as Condivi, relate that
<br>at the time when Michelangelo suddenly left Rome, in 1506, he
<br>entertained some intention of going to Constantinople, there to
<br>serve the Sultan, who sought to engage him, by means of certain
<br>Franciscan Monks, for the purpose of constructing a bridge to
<br>connect Constantinople with Pera. See VASARI, _Vite_ (ed. Sansoni
<br>VII, 168): _Michelangelo, veduto questa furia del papa, dubitando di
<br>lui, ebbe, secondo che si dice, voglia di andarsene in
<br>Gostantinopoli a servire il Turco, per mezzo di certi frati di San
<br>Francesco, che desiderava averlo per fare un ponte che passassi da
<br>Gostantinopoli a Pera._ And CONDIVI, _Vita di M. Buonaroti chap._
<br>30_; Michelangelo allora vedendosi condotto a questo, temendo
<br>dell'ira del papa, penso d'andarsene in Levante; massimamente
<br>essendo stato dal Turco ricercato con grandissime promesse per mezzo
<br>di certi frati di San Francesco, per volersene servire in fare un
<br>ponte da Costantinopoli a Pera ed in altri affari._ Leonardo's plan
<br>for this bridge was made in 1502. We may therefore conclude that at
<br>about that time the Sultan Bajazet II. had either announced a
<br>competition in this matter, or that through his agents Leonardo had
<br>first been called upon to carry out the scheme.]
<br>
<br>The Euphrates.</p>]]></description>
</item>

<item>
<title>Page 1108</title>
<link>http://interconnected.org/home/more/davinci/1108.html</link>
<description><![CDATA[<p>In the Bosphorus the Black Sea flows always into the Egean sea, and
<br>the Egean sea never flows into it. And this is because the Caspian,
<br>which is 400 miles to the East, with the rivers which pour into it,
<br>always flows through subterranean caves into this sea of Pontus; and
<br>the Don does the same as well as the Danube, so that the waters of
<br>Pontus are always higher than those of the Egean; for the higher
<br>always fall towards the lower, and never the lower towards the
<br>higher.
<br>
<br>Constantinople.</p>]]></description>
</item>

<item>
<title>Page 1107</title>
<link>http://interconnected.org/home/more/davinci/1107.html</link>
<description><![CDATA[<p>Hence it follows that the sea of Azov is the highest part of the
<br>Mediterranean sea, being at a distance of 3500 miles from the
<br>Straits of Gibraltar, as is shown by the map for navigation; and it
<br>has 3500 braccia of descent, that is, one mile and 1/6; therefore it
<br>is higher than any mountains which exist in the West.
<br>
<br>[Footnote: The passage before this, in the original, treats of the
<br>exit of the waters from Lakes in general.]
<br>
<br>The Dardanelles.</p>]]></description>
</item>

<item>
<title>Page 1106</title>
<link>http://interconnected.org/home/more/davinci/1106.html</link>
<description><![CDATA[<p>WHY WATER IS FOUND AT THE TOP OF MOUNTAINS.
<br>
<br>>From the straits of Gibraltar to the Don is 3500 miles, that is one
<br>mile and 1/6, giving a fall of one braccio in a mile to any water
<br>that moves gently. The Caspian sea is a great deal higher; and none
<br>of the mountains of Europe rise a mile above the surface of our
<br>seas; therefore it might be said that the water which is on the
<br>summits of our mountains might come from the height of those seas,
<br>and of the rivers which flow into them, and which are still higher.
<br>
<br>The sea of Azov.</p>]]></description>
</item>

<item>
<title>Page 1105</title>
<link>http://interconnected.org/home/more/davinci/1105.html</link>
<description><![CDATA[<p>Write to Bartolomeo the Turk as to the flow and ebb of the Black
<br>sea, and whether he is aware if there be such a flow and ebb in the
<br>Hyrcanean or Caspian sea. [Footnote: The handwriting of this note
<br>points to a late date.]</p>]]></description>
</item>

<item>
<title>Page 1104</title>
<link>http://interconnected.org/home/more/davinci/1104.html</link>
<description><![CDATA[<p>>From the shore of the Southern coast of Cilicia may be seen to the
<br>South the beautiful island of Cyprus, which was the realm of the
<br>goddess Venus, and many navigators being attracted by her beauty,
<br>had their ships and rigging broken amidst the reefs, surrounded by
<br>the whirling waters. Here the beauty of delightful hills tempts
<br>wandering mariners to refresh themselves amidst their flowery
<br>verdure, where the winds are tempered and fill the island and the
<br>surrounding seas with fragrant odours. Ah! how many a ship has here
<br>been sunk. Ah! how many a vessel broken on these rocks. Here might
<br>be seen barks without number, some wrecked and half covered by the
<br>sand; others showing the poop and another the prow, here a keel and
<br>there the ribs; and it seems like a day of judgment when there
<br>should be a resurrection of dead ships, so great is the number of
<br>them covering all the Northern shore; and while the North gale makes
<br>various and fearful noises there.</p>]]></description>
</item>

<item>
<title>Page 1103</title>
<link>http://interconnected.org/home/more/davinci/1103.html</link>
<description><![CDATA[<p>SITE FOR [A TEMPLE OF] VENUS.
<br>
<br>You must make steps on four sides, by which to mount to a meadow
<br>formed by nature at the top of a rock which may be hollowed out and
<br>supported in front by pilasters and open underneath in a large
<br>portico,
<br>
<br>[Footnote: See Pl. LXXXIII. Compare also p. 33 of this Vol. The
<br>standing male figure at the side is evidently suggested by Michael
<br>Angelo's David. On the same place a slight sketch of horses seems to
<br>have been drawn first; there is no reason for assuming that the text
<br>and this sketch, which have no connection with each other, are of
<br>the same date.
<br>
<br>_Sito di Venere._ By this heading Leonardo appears to mean Cyprus,
<br>which was always considered by the ancients to be the home and birth
<br>place of Aphrodite (Kirpic in Homer).]
<br>
<br>in which the water may fall into various vases of granite,
<br>porphyryand serpentine, within semi-circular recesses; and the water
<br>may overflow from these. And round this portico towards the North
<br>there should be a lake with a little island in the midst of which
<br>should be a thick and shady wood; the waters at the top of the
<br>pilasters should pour into vases at their base, from whence they
<br>should flow in little channels.
<br>
<br>Starting from the shore of Cilicia towards the South you discover
<br>the beauties of the island of Cyprus.
<br>
<br>The Caspian Sea (1105. 1106).</p>]]></description>
</item>

<item>
<title>Page 1102</title>
<link>http://interconnected.org/home/more/davinci/1102.html</link>
<description><![CDATA[<p>Rhodes has in it 5000 houses.
<br>
<br>Cyprus (1103. 1104).</p>]]></description>
</item>

<item>
<title>Page 1101</title>
<link>http://interconnected.org/home/more/davinci/1101.html</link>
<description><![CDATA[<p>In [fourteen hundred and] eighty nine there was an earthquake in the
<br>sea of Atalia near Rhodes, which opened the sea--that is its
<br>bottom--and into this opening such a torrent of water poured that
<br>for more than three hours the bottom of the sea was uncovered by
<br>reason of the water which was lost in it, and then it closed to the
<br>former level.
<br>
<br>[Footnote: _Nello ottanto_ 9. It is scarcely likely that Leonardo
<br>should here mean 89 AD. Dr. H. MULLER- STRUBING writes to me as
<br>follows on this subject: "With reference to Rhodes Ross says (_Reise
<br>auf den Griechischen Inseln, III_ 70 _ff_. 1840), that ancient
<br>history affords instances of severe earthquakes at Rhodes, among
<br>others one in the second year of the 138th Olympiad=270 B. C.; a
<br>remarkably violent one under Antoninus Pius (A. D. 138-161) and
<br>again under Constantine and later. But Leonardo expressly speaks of
<br>an earthquake "_nel mar di Atalia presso a Rodi_", which is
<br>singular. The town of Attalia, founded by Attalus, which is what he
<br>no doubt means, was in Pamphylia and more than 150 English miles
<br>East of Rhodes in a straight line. Leake and most other geographers
<br>identify it with the present town of Adalia. Attalia is rarely
<br>mentioned by the ancients, indeed only by Strabo and Pliny and no
<br>earthquake is spoken of. I think therefore you are justified in
<br>assuming that Leonardo means 1489". In the elaborate catalogue of
<br>earthquakes in the East by Sciale Dshelal eddin Sayouthy (an
<br>unpublished Arabic MS. in the possession of Prof. SCHEFER, (Membre
<br>de l'Institut, Paris) mention is made of a terrible earthquake in
<br>the year 867 of the Mohamedan Era corresponding to the year 1489,
<br>and it is there stated that a hundred persons were killed by it in
<br>the fortress of Kerak. There are three places of this name. Kerak on
<br>the sea of Tiberias, Kerak near Tahle on the Libanon, which I
<br>visited in the summer of l876--but neither of these is the place
<br>alluded to. Possibly it may be the strongly fortified town of
<br>Kerak=Kir Moab, to the West of the Dead Sea. There is no notice
<br>about this in ALEXIS PERCY, _Memoire sur les tremblements de terres
<br>ressentis dans la peninsule turco- hellenique et en Syrie (Memoires
<br>couronnes et memoires des savants etrangers, Academie Royale de
<br>Belgique, Tome XXIII)._]</p>]]></description>
</item>

<item>
<title>Page 1100</title>
<link>http://interconnected.org/home/more/davinci/1100.html</link>
<description><![CDATA[<p>SMALL BOATS.
<br>
<br>The small boats used by the Assyrians were made of thin laths of
<br>willow plaited over rods also of willow, and bent into the form of a
<br>boat. They were daubed with fine mud soaked with oil or with
<br>turpentine, and reduced to a kind of mud which resisted the water
<br>and because pine would split; and always remained fresh; and they
<br>covered this sort of boats with the skins of oxen in safely crossing
<br>the river Sicuris of Spain, as is reported by Lucant; [Footnote 7:
<br>See Lucan's Pharsalia IV, 130: _Utque habuit ripas Sicoris camposque
<br>reliquit, Primum cana salix madefacto vimine parvam Texitur in
<br>puppim, calsoque inducto juvenco Vectoris patiens tumidum supernatat
<br>amnem. Sic Venetus stagnante Pado, fusoque Britannus Navigat oceano,
<br>sic cum tenet omnia Nilus, Conseritur bibula Memphitis cymbo papyro.
<br>His ratibus transjecta manus festinat utrimque Succisam cavare nemus
<br>]
<br>
<br>The Spaniards, the Scythians and the Arabs, when they want to make a
<br>bridge in haste, fix hurdlework made of willows on bags of ox-hide,
<br>and so cross in safety.
<br>
<br>Rhodes (1101. 1102).</p>]]></description>
</item>

<item>
<title>Page 1099</title>
<link>http://interconnected.org/home/more/davinci/1099.html</link>
<description><![CDATA[<p>The Assyrians and the people of Euboea accustom their horses to
<br>carry sacks which they can at pleasure fill with air, and which in
<br>case of need they carry instead of the girth of the saddle above and
<br>at the side, and they are well covered with plates of cuir bouilli,
<br>in order that they may not be perforated by flights of arrows. Thus
<br>they have not on their minds their security in flight, when the
<br>victory is uncertain; a horse thus equipped enables four or five men
<br>to cross over at need.</p>]]></description>
</item>

<item>
<title>Page 1098</title>
<link>http://interconnected.org/home/more/davinci/1098.html</link>
<description><![CDATA[<p>It is not denied that the Nile is constantly muddy in entering the
<br>Egyptian sea and that its turbidity is caused by soil that this
<br>river is continually bringing from the places it passes; which soil
<br>never returns in the sea which receives it, unless it throws it on
<br>its shores. You see the sandy desert beyond Mount Atlas where
<br>formerly it was covered with salt water.
<br>
<br>Customs of Asiatic Nations (1099. 1100).</p>]]></description>
</item>

<item>
<title>Page 1097</title>
<link>http://interconnected.org/home/more/davinci/1097.html</link>
<description><![CDATA[<p>Why does the inundation of the Nile occur in the summer, coming from
<br>torrid countries?</p>]]></description>
</item>

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